“The first time I used my tilt-shift lens I was frustrated for the first month or two,” says Piealge. Tilt-shift lenses come with a slightly steeper learning curve than traditional DSLR lenses, so don’t expect to have your technique mastered right out of the box. With the Shift function, you can get perfectly parallel lines all the way up. One of the most common examples of this is in architectural photography, where tall buildings will appear to fall backwards the higher they go. This panoramic-type function enables you to capture completely straight lines no matter where you’re positioned in relation to an object. ![]() ![]() Shifting the lens, then, is like dragging the crop box across the image to find the ideal composition.” Think of it this way what you see through the viewfinder is only a fraction of what the lens sees it's as if you were cropped into a photo in Lightroom. So when you shift, you’re moving the image circle around your sensor. “But with a tilt-shift lens, the image circle is a lot bigger than a normal lens. “With any lens, a circle of light hits your rectangular image sensor,” explains photographer Nick Ulivieri. To use the Shift knob, point the camera lens where you want the image to begin, and twist the knob to shift the lens in whichever direction gets you your desired composition. You can think of it capturing a panorama without the need to physically move the camera. ![]() As the lens moves, the image plane moves too, so that the sensor records different areas of the total image. With the Shift knob, you can move the lens up and down or side to side on the body of the camera. The tilt effect alters the focal plane of the image, but the shift effect alters an image’s perspective.
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